Runaway Romances

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    Runaway Romances
    Hollywood's Postwar Tour of Europe
    By: Robert Shandley
    Publisher:
    Temple University Press
    Print ISBN: 9781592139453, 1592139450
    eText ISBN: 9781592139477, 1592139477
    Copyright year: 2009
    Format: PDF
    Available from $ 66.50 USD
    SKU 9781592139477
    In the 1950s and early 1960s, America imagined itself young and in love in Europe. And Hollywood films of the era reflected this romantic allure. From a young and naïve Audrey Hepburn falling in love with Gregory Peck in Roman Holiday to David Lean’s Summertime, featuring Katherine Hepburn’s sexual adventure in Venice, these glossy travelogue romances were shot on location, and established an exciting new genre for Hollywood. As Robert Shandley shows in Runaway Romances, these films were not only indicative of the ideology of the American-dominated postwar world order, but they also represented a shift in Hollywood production values. Eager to capture new audiences during a period of economic crisis, Hollywood’s European output utilized the widescreen process to enhance cinematic experience. The films—To Catch a Thief, Three Coins in the Fountain, and Funny Face among them—enticed viewers to visit faraway places for romantic escapades. In the process, these runaway romances captured American fantasies for a brief, but intense, period that ended as audiences grew tired of Old World splendors, and entered into a new era of sexual awakening.
    Additional ISBNs
    9781592139460, 1592139469
     

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